Diese Galerie enthält 4 Fotos.
The first New Zealand solo exhibition in more than 25 years by internationally-acclaimed artist Cindy Sherman at City Gallery Wellington is on show until 19 March 2017.
New York-based Sherman is widely considered one of the most influential artists living today. Her practice has challenged and shaped the way we think about contemporary photography and her works confront stereotypes and cultural clichés, probing at society’s fascination with issues surrounding the representation of women and the cult of celebrity.
For over forty years, the New York-based artist has used herself as her own model in staged photographs, transforming her appearance through make-up, costumes, wigs, prostheses, and more recently, digital effects.
Her chameleon-like transformations offer a sustained, cutting and at times disturbing investigation of gender, social conditioning, narcissism and celebrity culture. Cindy Sherman is a major exhibition of Sherman’s photography since 2000, the moment where she returned to photographing herself after a decade of wilful absenteeism from her own work. Cindy Sherman features over 50 large-scale photographs created since 2000, and includes images from fashion house collaborations with Balenciaga 2007-2008, and Chanel 2010–2013 as well as the iconic ‘Head shots’ 2000-2002, ‘Clowns’ 2003–2004 and ‘Society portraits’ from 2008. The exhibition also includes her most recent series referencing old Hollywood glamour along with a large scale, site-specific mural.
City Gallery Wellington Curator Aaron Lister says, „Visitors will get a rich sense of everything Sherman has made since 2000. She works in discrete and bounded series – this exhibition samples generously from every series from the last 16 years. We see Sherman reappearing as a model or a character in her photographs, and also her embrace of digital photography to open new possibilities or worlds for these characters to inhabit.“
There will also be a related exhibition of Sherman’s found photographs, albums and scrapbooks. This collection of other people’s photographs—some of which were first shown at the 2013 Venice Biennale—demonstrates how she trawls the collective image bank of culture, and her fascination with how other people present themselves through photography.
Accompanying the exhibition there will also be a series of film screenings – many of which have been selected by Sherman – that have informed her practice, including her own film, Office Killer (1997).
City Gallery Wellington is the only New Zealand venue. Until 19 March 2017.
Photos: Courtesy of City Gallery Wellington.
Dave Goodin lives as an artist and sculptor on Stewart Island. He offers classes of Jade (New Zealand greenstone) carving. It is a journey into the 3D realm. „I like to show my students the third dimension which they experience when they carve a piece for themselves. It is a remaining jewel, some art from the south of New Zealand. And whenever you rub greenstone it comes alive in your hands.“
Talking with Dave about his life: „As a young man I was logging trees in New Zealands North Island until a falling tree injured me. I could not work anymore. As soon as I recovered from the accident I wanted to change my life. All the time I was interested in Maori art and I began to study it at a community college at Hawke’s Bay. This was back in the mid 1980s. In my second year of college I taught children lessons in Maori art. In the meantime I developed my own style, my own pieces of art. At that time I used cow bones.
For the next 4 years I lived in London where I had my first exhibition in 1997 with my pieces of carved stones and bones. As a bread job I worked as a porter in a hospital. In 1999 I lived for a while in China as an English teacher. Still I continued my art. I liked living in China, the country and its culture impressed me.
Back in New Zealand in 2002 I got a job with Sir Peter Jackson, producer of the Lord of the Rings movies. As a sculptor I worked on the movie setting. I entered a magical world. In total I worked for him for 4 years.
Also I participated at the production of the movie King Kong. I was responsible for everything in the movie which looked green: plants, trees, landscapes. The next film production was The legend of Zorro, with second-unit photography in Wellington.
In 2014 I came to Stewart Island to visit a college friend. I felt in love with the place and I never left. Why? Because of its amazing environment, the few people here, no pollution and because of the weather which always is a surprise.
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Distant peaks glow in the low evening light. A new sunrise is masked by a turbulent sky, deep purple crashes against angry blue, water pours from the heavens, the land hidden by the silvery veil.
A dramatic landscape, delicate and fragile, harsh and unforgiving and timeless. And the history written in the hills, whispered by the rustling leaves, shouted by the roaring wind? These remote and seldom visited waters have much to tell and many secrets safely locked away.
Ginney Deavoll at Southland Museum Invercargill.
I am in a destroyed city. Destroyed by 3 earthquakes in 2010, 2011 and 2016. There are lots of ruins, lots of wounds between houses. They are now filled with art and the brains of artists. The shops are not there anymore, but instead there are containers. Really fancy containers.
I feel almost in Utopia. The people decided to fight, for their lives, for their futures, for their well beings. I am in New Zealand, almost at the end of the world. In Christchurch. And I am too astonished to talk about this. It takes my breath away. I brought to you some pictures. Look at them and then you will understand what I mean. And I am in love with that city …
Photo: Enric Boixadós